Otherwise we would more accurately call him a reproducer. The wellknown icons which depict the Apostles with the Holy Spirit like a tongue above their heads graduating them seem to have influenced many people who believe that this is how the God of Art and artists are inspired. The notion that the artist is helplessly waiting for inspiration to touch him gives art a charming metaphysical dimension but it is far from the truth. The artist produces work by combining his mind senses and psyche. The individual cultivation of these three elements as well as their coordination is required to produce a work.
Cultivating technical means thinking about the nature e-commerce photo editing of the artistic medium and the world the liberation and respect of the psyche only work within the artistic act. Inspiration is a product of the artistic act. In other words the phenomenon of discovering what one desires inside and not outside the artistic process is established. Not before not after not at the same time. Inspiration therefore the existence of which is unequivocally established from the result should not concern the artist. The artistic work will reveal it to him. It does not exist outside of it.
The exercise of the medium is at the same time part of the inspiration. In other words the artist places himself in conditions of inspiration which are nothing more than conditions of work. The public towards the photograph is completely captive to its verisimilitude and the depicted subject. And this despite much more than cinema theater or literature is nothing more than a trace in the sense of a point of reality through a trace in the sense of a minimum of truth. The first way to begin to approach the specificity of the photographic imprint is to begin to understand the importance of the morphological elements that make up a photographic image.